zero sum is a track that has become a stone cold classic. its timeless sound and feel, is up there with tracks that form the golden era of jungle. available for the first time on 10inch vinyl, sully has worked his magic on this release. there is also a refix on the other side from one of the golden era s classic duos dem 2 ruff. their refix keeps the vibes of the original but in true dem 2 ruff fashion. it comes to slaughter your speakers, be warned its ruff but still nice too.

trumpeter/ composer sefi zisling incorporates afro-jazz with psychedelic funk in this new solo project. sefi is known as the top trumpeter of tel aviv jazz & funk scene. while still attending high school, sefi performed with various funk and groove acts, laying the foundations for many more musical encounters and fruitful collaborations with other members of the ever-growing tel aviv music scene. sefi performed with bands such as the ramirez brothers, kutiman orchestra, funknstein, gili yalo, and many more. today, after fifteen years of recording and performing all over the world alongside almost everyone within the israeli music scene, sefi is taking a step forward to release his debut solo album.

peripheral minimal is proud to present the new 12inch by the french electronic pioneer, philippe laurent, entitled, phoenix. this will be philippes second release on peripheral minimal after the infectious synthetic classic 12inch, mithra. phoenix is a three track ep featuring two brand new tracks on the a-side, phoenix (featuring philippe s trademark robotic vocals), and, agapao. meanwhile over on the b-side, we have the 13-minute electronic opus and highly representative of his early work, exposition 4, a never before released track from philippes extensive archive, and recorded in 1982. the e.p. is representative of philippe s latest forays into contemporary synth music, but still with a retro futurist edge and influenced partly by german pioneers kraftwerk/late 70s kosmische and au courant electro/synthwave acts, fitting into the current enthusiasm for early 80s synth pop and minimal wave. the ep is presented on white vinyl and limited to 300 copies. mastering by martin bowes @ the cage.

editions mego is pleased to welcome danish loke rahbek (damien dubrovnik,croatian amorand posh isolation) to the fold. known for countless creative and commercial endeavours loke presents his first solo full length under his own name. as with all of loke s output city of woman harnesses the radical with the aesthetic in a manner of extreme pleasure for all who encounter. harnessing his thorough knowledge and experience in extreme electronics, melodic encounters and sultry showmanship loke ties together disparate threads of various underground movements to create a singular and deeply personal journey through industrial temptation, noise refraction and melodic seduction. this is 21st century pop music. one which dismantles previous held borders of sound to present a wide palate of sound, song, abstraction and intense emotion.

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

paulino vieira, bana, and their legendary troupe, voz de cabo verde, made lisbon the headquarters spearheading the musical revolution taking place within cape verdean emigre communities across europe in the 1980s. musicians from across the diaspora would eagerly travel to the portuguese capital to record. but in smaller pockets, second-generation krioulu musicians were independently contributing to one of the most lush periods of cultural innovation by immigrants in europe. in 1986, a group of nine teenagers — antonio monteiro, ambrosio gomes, emilio borges, fefa cabral, to pereira, pedro varela, celeste monteiro, clarisse, germano shares — formed the largely unknown, often overlooked, but consistently brilliant band, pilon. combining traditional funana rhythms and the hybrid colazouk style with psychedelic synth work and rugged guitar ostinatos, pilon refined their sound for years until releasing these recordings as part of their debut album, tradicao, in 1993, with a tight-knit unit of just five remaining members. the band is still a popular mainstay for parties in the cape verdean circles of frankfurt, paris, lyon, marseille, rotterdam, and geneva.

a really dope and soothing downtempo sunday spliff tune.dubbyman of deep explorer graces the atlanta based label of reggie dokes, with two deep house tracks. both tracks shimmer with a hypnotic sway of dreaminess. then two remixes of dubbymans originals by interstellar afrocentric journeyman, reggie dokes. the remixes still keep that element of deepness, with touches of the original. this is only for the deep at heart

the new erasure album on music cassette / tape with download code included.

loaded acidic & crafted tension, exploratively executed with and overall consistent and limited sound palette. mullie mess has been recording and producing as 100records for years and always carved a way through the real sonic underground of berlin. simultaneously strict and tilted, straight forward and leftfield, harsly deep and still masterly captivating. last track is also source material for madteo s cositas ricas featured on sex tags amfibia s amfibia 15 lp compilation.

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars – were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers.

real d. burst on the scene last summer with his breakthrough track rhodes that . one year on and the release is still in high demand, fetching upwards of £50 on the cogs. matt & stu were invited to play at his party in his hometown of bordeaux late last year and the idea of an ep for wolf was discussed over the best red wine and cheese the southwest of france had to offer. in a strange but true story a 3d glasses company in silicon valley called real d came knocking and with the threat of legal action, his name had to be changed & real j. was born. another great addition to the ever-growing wolf music roster.

danny scrilla returns to cosmic bridge records with a full-length project inspired by a desire to experiment outside of club conventions. while cosmic bridge has become known for forward-thinking, dubwise dancefloor mutations, label founder om unit has long been a fan of ambient and synthesizer music and ancient musical box offers a current take on the format, with 16 tracks of lush electronic compositions and meditations. fittingly, ancient musical box also marks the label s first cassette release.

ancient musical box was written over the past year as a direct reaction to danny s frustration with club music and the inevitable cynicism that can sometimes arise from prolonged contact with scenes, styles, and genres. i wanted to create something without any ulterior motives, he explains. as the tracks accumulated, the project took on a personal dimension and therapeutic qualities. intent on not over-thinking or polishing his ideas, danny created something that is less album and more a collection of emotions in their rawest form.

despite not being intended for the dancefloor, the music on ancient musical box still bears clear relations to danny s catalogue in its minimalist approach and use of melodic motifs. you can hear it in the hazy crescendo of night sweats , the wobbly funk of pangalactic gargleblaster , and the gentle keys of talisman . alongside these are more experimental moments, seemingly fragile in their simplicity but hiding a depth that reveals itself in context: the delicate loops of the title track, the vibrations of cryopod , the melancholy progressions of too little too late .

ancient musical box is the sound of a producer remembering that the best ideas are the simplest, in the process pointing to new directions.

the 5th album from the byrds, originally released in 1968, now back on 180 gram vinyl with download code included.

lange war es still um nelly furtado. nach ihrer letzten welttournee zu ihrem album »the spirit indestructible« gönnte sich die kanadische sängerin erst einmal eine wohl verdiente pause, die allerdings fast fünf jahre dauerte.
ausgeruht und frisch startet sie 2017 ihr comeback. im gepäck hat sie ihr neues album »the ride«, für das sie mit zwei echten hochkarätern zusammenarbeitete.
das transparente 180 gramm doppelvinyl erscheint im 3-fach klappcover.

hip hop classics on 4x12 inch lp

after the release of his beautifully put together album ‘shining the money ball’ via vancouver’s 1080p earlier last year (which will see a limited vinyl release on lo recordings later this year), as well as having music released through 100% silk, body-san joins the lo family with ‘pacific reasons ep’. having been a part of the new wave of house music to emerge over the past few years from the west coast of america and canada, body-san delivers music with a rich sense of depth, emotive precision and concise instrumentation throughout. brandon knocke (in his own apt description) offers three ‘coastal burners’ through ‘pacific reasons’, with the addition of the majestic interlude ‘liquid entrance’. ‘topaz chalice’ sets us off with the sunset, created through comforting yet strangely ominous chords and vocal melody lines. the track slowly evolves with small percussive flurries, beautiful chord and melody progressions and a smooth, sliding bass line. as pleasant and calming as ‘topaz chalice’ is, we still feel the full force of knocke’s thumping kick, making it as viable for the dance as it is for the cans...

finally we can announce that the hacker is onboard at the stilleben ship with some amazing electro that lurks in the shades of kraftwerk and other fine electronic acts, but with his own significant style and signature. 3 electro songs and one more italo/electro disco that was hidden on a old hard disk. we are very happy to continue the electro journey on eargoggles stilleben with this strong and beautiful release... let the hacker guide you on a path..

only few artists in techno music have been able to develop a unique signature in sound like eduardo de la calle did. even after releasing more than 90 vinyl records in almost 20 years, the spanish mastermind is still one of the most enthusiastic persons when it comes to preserving the real people and places in our beloved scene. despite touring the world as a dj and putting out his music on big-name labels, he has always supported small labels and underground institutions around the world. the spiritual approach to electronic music hes teaching with his music has been a big inspiration for many listeners, djs and producers. his latest release on night defined recordings is another precious add-on to his unique lifework of music

figure is excited to present the first outing of what might soon prove to be one of techno’s most promising collaborations. while seatoc mass’ two pristinely crafted eps have already left their mark on the label, matrixxman has been turning heads across the scenes with his exceptionally prolific track record. drawing upon common thoughts on futuristic themes and their respective strengths as producers from different continents, their joint effort clearly conveys one distinct approach, yet unites the seemingly opposite. regardless of being no-nonsense dancefloor-weapons, the four tracks still brim with detail, their vibrant elements communicating playfully. on their shared ep these artists have struck a rare balance. they delicately hover between the spacious and the claustrophobic, the modern and the classic, the stern and the elated - while never losing focus of their mutual mission.

the third longplayer from peverelist, this time released on his own livity sound imprint.

following his 2015 release s/t, ant orange is back with another groove-laden 12inch on karaoke kalk. arkupe is a prime slice of laid-back beats and bass-heavy jazz breaks. each track oozes soulfulness, from the smooth-as-silk fender rhodes on the opening title track to the downbeat afro rhythms of fog walk, and the nonchalant guitar riffs and synth lines on little wing. side 1 closes with feld, a sun-drenched slo-mo house jam. side 2 presents another handful of diverse ant orange cuts, starting with the more uptempo toe-tapper big lils. lb offers more tasty jazz-n-bass drumming, while the closing track my man has a breezy still-awake-on-sunday swagger. with his latest 12inch on karaoke kalk, ant orange shows the wide range of styles he has to offer. arkupe is loaded with some of the mellowest vibes youre likely to hear all year.

following the collaboration between elysia crampton, kelela and adrian piper, ‘final exam’, the vinyl factory join with elysia on her next solo release. ‘spots y escupitajo’. the release braids legacies from both american club culture and sonic miniature compositions in the form of a 12” sample pack. the lp honours classical american composers such as william gran still & john adams, as well as central/south american club producers like dj rodini, dj saiber & mega djs from cochabamba

matthew dear lands on hot creations under his audion moniker. the electrifying starfucker is remixed by house music veteran ian pooley and the notorious young nyc duo the martinez brothers. in true audion style, starfucker takes a series of unexpected turns and the groove propelled track is made to shake up big rooms. audion s second original need your loving is equally intoxicating, with subtle vocals and driving drums. matthew dear as audion is responsible for hit releases such as suckfish and mouth to mouth. at the top of his game for over a decade, the talented artist has also released successful albums under his original name and performed with a live band opening arenas for depeche mode, interpol and more. he also recently released the latest installment of the dj kicks compilation and an acclaimed audion artist album. over twenty years into his career and ian pooley is still releasing on the biggest and cutting edge labels, with recent appearances on innervisions, ovum and tsuba. he packs the swing into his remix and adds his signature style with a touch of class. the martinez brothers remix is bursting with energy and demonstrates the duo s understanding for how to work the big stage. an unstoppable force, the two have been taking the world by storm with their energetic dj sets, consistent output of music and running of their labels cuttin headz and tuskegee.

now the dust has settled after louf’s debut, we have an emotionally driven release from tom vr on valby rotary. ‘hear me out’ is a deep club track that builds an atmosphere of both heart warmth and heart break. it boasts eerie vocal samples, raspy chords and coarse punching drums, making it energetic yet still suitable for the sensitive euphoria of the dance floor. the b side ‘indigo’ is a pulsating soundscape of longing & tension that eventually erupts with an uplifting finale of acid and the splash of ride cymbals.

while bringing the antidigital s four-fold path to completion, v.i.t.r.i.o.l. squares the symbolic structure of the series by focusing with conceptual precision and musical elegance the heaviest of elements within the alchemic cycle: water. both adaptable and erosive, essence and abyss, the paramount fluid is an archetype of metamorphosis. constantly attempting to overtake every obstacle towards the gravitational center, pervading and transmuting the earth by transforming itself, water eternally conquers the depths where it still serves as origin, nest and nourishment of life. like a torrent, v.i.t.r.i.o.l. tells and embodies the sublimating descent of water, taking shape as a pouring of micro-tonal falls, opening passageways through a radiant narration of deep intimate soundscapes. framing a sequence of almost religious experiments in circuit manipulation and digital-processing of the resulting electrical sound-fields, the short album signs the important inspirational contribution by drøp to dromoscope antidigital project. enchanting second outcome by sound designer giuseppe bifulco, v.i.t.r.i.o.l. resonates clearly of a post-modern electronic shamanism, a fascinating musical vision interpreting sound as a physiological trigger and music itself as a therapeutic instrument, a path for an interior empty-set (ø) capable to free consciousness from rational domain and reconnect it to deeper natural truths. like a map for the descent, v.i.t.r.i.o.l. engraves its own name and structure with one of the most substantial hermetic aphorisms ever, -visita interiora terrae rectificando invenies occultum lapidem-, dropping a hint and pointing a destination for the healing research of the truth: the unknown interiors of the world, the subterranean unveiled inner self.

bobby hammiltons band anibus only managed to released this single extremely collectable deep spiritual funk 45, the single didn t gain the movement they hopes and the bands went their separate ways leaving this one amazing 7 inch reproduced here. bobby is still alive and well so lets put things right and get things right and get this record on the turntable, a truly classy, deep and mindful 45.

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

the secret initiative has been cloaked in secrecy since it’s inception in 2009.
over the past 8 years there has been a lot of speculation on who the artist(s) is/are behind this project. is it a collective of artists or a solo artist still remains to be answered. the secret initiative is a multi styled project ranging across the spectrum of acid techno, dub techno, hard techno & ebm mostly done in a 1990’s flavor but with a modern day punchy production sound. here on the latest release we have two peak time dance floor killers. “synesthete” a dark track-y techno climax-er with a whisper vocal sample repeating “i see the music, i hear the light” which builds into a monster of a track. on the flip side is the hard but hypnotic “return to mcmxc” which pays hommage to the 1990 frankfurt technoclub/dorian gray ebm techno sound.

best of 50 cent is a career-spanning chronicle of one of music’s most compelling and influential artists. the compilation will be packaged as a 2lp, including classic cuts from his 2003-2009 albums, get rich or die tryin’, the massacre, curtis, before i self destruct, and the bonus cut how to rob. pressing on heavyweight 180 gram vinyl, housed in a gatefold sleeve with downloadcode included.

passafire s longshot, the full-length follow up to vines (2013) and the interval ep (2015), finds the band continuing to stretch in new musical directions, while still maintaining a strong core of reggae elements. some songs tread into 90s grunge, hip hop and even current pop, but for hardcore passafire fans, this genre-bending style will come as no surprise for a band that has always pushed itself through experimentation, with a foundation of hummable hooks and vicious musicianship. a guest spot by rapper mr. lif also contributes a new angle on the song -blow. vines debuted at 1 on billboard record chart.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

the new erasure album on limited orange vinyl with download code included.

the new erasure album on black vinyl with download code included.

do you remember adolf filter… the swedish minimal electronics/synth duo? the 7” “the other hand on the knob” (petit enfant, 2008) is now a cult classic… the duo were also part of three compilations on enfant terrible… and now after all these years there is this new 7”… not truly new as these are tracks re-discovered from the et archive… but these two dark dance floor tracks are still way on top of the game… powerful and raw but catchy too… minimal elektro for both the old followers and new fans of the style…

another picture has the honour to welcome dj honesty to the labels crew! the berlin mainstay keeps on delivering for two decades and counting. now residing in sunny and meanwhile ultra-lively spot lissabon/portugal he shows up with two pieces of pure electronic groove with a dubby technoid flavour. studio knowledge at work! usually known for positive vibes with a still abstract feel now dj honesty reveals a darker shade of experience. get involved with a tougher edge and face some deeper emotion and sonic consequence - see you on todays dancefloors.. dj honestys releases come as various projects and collaborations: honesty, honeydrop, slope (with daniel paul) and suparaw (with woody) on such labels as cabinet, sonar kollektiv and quality vibe to name a few. he is part of the touring cab drivers live crew. dont miss!

the sadly departed jaki liebezeit was the kind of drummer whose influence will be continually recognised over the decades to come. best known for his work in can, there are also many more sides to this singular sticksman, and emotional rescue has chosen to shine a light on his post-can period living in stollwerck. on the a side of this 7inch curio is the sound of phantom band with linear johnson & the protons. rush rush has a spiky new wave bent to it, but still liebezeit s drumming stands out. the b side drums off chaos need little explanation its the sound of one of the all-time drumming greats letting rip in a ferocious blast of percussive abandon.

after a very successful 001 release, rakija series keeps going in a very intricate manner. for the second release delivers another release of quality hypnotic groove. rakija002 is more focused on the dancefloor mechanics, yet still keeps the usual abstract tendencies as heard in 001. coming as a 12” in deep purple color of a plum, it surely is a release we can’t wait to hear.

the reissue of 1998 classics artificial sunsets from ibrahim alfa s large brighton techno catalogs as a new 12inch on wicked bass label. coming with a weird still effective track the pursuit of happiness on the flip

odes of the kabatians is a collaborative project from emergent french producers pvnv and amandra, and with their inclusion on the silent season x series they bring a different mood from the consistent dubbed-out nature of many of the releases. varsovie i is a crisp and clear exercise in cyclical techno programming, while varsovie ii throws shades of light and dark into the melting pot to create an arresting modern techno workout. on the flipside varsovie iii takes a more murky turn towards intricate textures and rhythms and then -varkovie iv- blows things open with a broken beat and tender chords, while still retaining that tough production finish that gives the record its grit.

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

d’marc cantu’s second release on drone is an introspective, emotive piece of electro. with it’s deep pads, ‘omega red’ provides the soundtrack to a trek through the snowy wastes, never letting up and calling through the night. dreaming of a world beyond our own on a journey without end, waking to find fragments of that world still holding on.

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project - dusty chinese vinyl hissing and crackling throughout – resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production.
using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music.
the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, “pt.3” is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one.
onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.
as a producer who has released records inspired by 80’s funk, 90’s hip-hop and r’n’b, electronic and even a spiritual jazz project, “pt. 3” brings this stylised set to a close.

zweiter lp-sampler, gewidmet dem legendären northern soul-club the golden torch in stoke-on-trent, angelehnt an dessen playlisten in der hochphase zwischen 1969-1973. mit 14 exzellenten highlights von maxine brown über first choice bis zum luther ingram orchestra. keep on burnin!

the drums smack. the bass is too loud. liberia, ghana, all the way across to uganda. 1970 s tinpot dictatorships birth colourful sounds. magnetic tape, linn drums and bucket brigade delay units confuse the mix. sub-cultural colonialism to destroy the dance. still, it sounds good. and it looks nice. nice sleeve art. move along. move along...

lunar disko presents... time marches on with two various artist eps to celebrate the 20th release on lunar disko records. eight tracks encompassing the modus operandi of the label since the beginnings... part 2 features another selection of lunar disko favourites, with the return of dj overdose and raiders of the lost arp, while two of ireland s finest in tr one and automatic tasty complete this stellar line-up. ..and time...is still marching on...

the title track immediately delves into familiar and focused textures backed by woozy synths, dancing between glitzy euphonious melodies.
the drums and rhythm section channel the energy of prior dance classics but still feel eager and original in their deployment.
on the flip side, plz xx diverts expectations by jumping between several frenetic moods, all whilst maintaining an energetic frivolity found throughout the record as a whole.

auf diesem album haben wir nach langer zeit einmal wieder sämtliche tatort-hits und -melodien zusammengestellt: klassiker, hits, unbekannte titel und bislang unveröffentlichte musikstücke - songs und melodien aus über 40 jahren tatort-geschichte.
lp 1 umfasst etliche „tatort“-songs von beginn des erfolgsformats bis heute: hits und titel von santana, chris rea, nina hagen und unveröffentlichte titel von hugo egon balder.
lp 2 enthält die schönsten melodien aus den tatort-folgen mit götz george dem legendären kommissar horst schimanski zusammengefasst sowie titel aus den schimanski-spielfilmen. mit westernhagen, chris norman, klaus lage, dieter bohlen, david knopfler und tangerine dream.
das doppel-vinyl erscheint im klappcover.

resuming our dispatch dubplate series in 2017, we are excited to welcome commix to the fold, with a debut release this may. presenting four exclusive cuts from the uk born berliner, the release features quintessential, club primed commix rollers, alongside some profound and polished experimentation, providing a true sense of the depth in his quality today.
still retaining the renowned infectiousness of his back catalogue, commix nimbly connects the dots between flavours of the past and his path for the future, authentically delivering yet another classic release, something we felt called for a vinyl release right from the off.
with 400 hand stamped, signed and numbered heavyweight vinyl copies available, there is a very limited press and much like previous dispatch dubplates, this will never be re-pressed.

the mark that the late producer j dilla left upon hip-hop during the 90s and early-to-mid 00s is undeniable. his work with de la soul, busta rhymes, the pharcyde, and of course slum village long been cemented his prominence in the annals of hip-hop history. of the many words one can use to describe j dillaãs legacy, one thatãs not used enough is prolific. dilla made beats constantly. so new dilla compositions are still being discovered. one of the places where those works are still being unearthed is the archives of the neãastra music group, who proudly present here 8 dilla tracks previously unissued on vinyl. dillaãs legacy continues to be shared and celebrated by todayãs hip-hop audience ¹ with help from the tireless efforts of ne astra.